German-American baritone, 1892 - 1965 Biographical notes:
After studying law and serving as an officer in World War I, he studied with Oskar Daniel in Berlin and made his late debut at the Berlin State Opera in 1922 as Herod in Schreker’s Der
Schatzgräber. He remained with the company until 1938 where he was very successful not only in Wagner but also in Verdi and French operas. He also appeared as Orest and Prince Igor. Guest
appearances followed in Vienna and Buenos Aires. He was regarded as the outstanding exponent of the lighter Wagnerian baritone parts (Kurwenal, Wolfram, Amfortas, Gunther, Telramund,
Kothner, Donner, Heerrufer) and appeared at Covent Garden (1926 - 1939) and Bayreuth (1930 - 1937). The Nazi regime caused him to leave Germany (1938). He made his debut at the opera
house of Philadelphia in 1939 (as Wotan in Siegfried!). He was immediately engaged at the Met and remained there from 1939 to 1952. He was a frequent guest at all major American opera
houses. After Friedrich Schorr’s retirement in 1943 he reluctantly took over the heavier roles of Wotan and Hans Sachs but they did not suit his voice. He considered the loss of vocal
refinement and darkening of his famous upper tones. Herbert Janssen had always been a favorite recitalist and conquered a new generation of concertgoers, when he reappeared in
London as a Lieder singer after World War II. He often stated that he would have preferred to
sing Italian operas, he loved Verdi! At the end of his career he became a vocal coach. Wagner, Wagner, Wagner... As Wolfram von Eschenbach As Gunther As Telramund As Wotan
Recordings: (selection) |
Beethoven - Fidelio (Walter 1941 live/Maison, Flagstad, Huehn, Kipnis) |
LYS Naxos Historical
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Beethoven - Fidelio (Toscanini 1944/Peerce, Bampton, Belarsky, Moscona, Steber) |
RCA |
Strauss - Salome (Reiner 1949 live/Welitsch, Thorborg, Jagel) |
Myto Gebhardt |
Wagner - Der fliegende Holländer (Excerpts: Reiner 1937 live/Flagstad, Weber, Lorenz) |
LYS |
Wagner - Der Ring des Nibelungen (Stiedry 1951 live/Hert Janssen as Gunther in Götterdämmerung) |
Gebhardt |
Wagner - Tannhäuser (Elmendorff 1930/Pilinszky, Müller, Jost-Arden, Andrésen) |
Malibran |
Wagner - Tannhäuser (Szell 1942 live/Melchior, Traubel, Thorborg, Kipnis) |
Music&Arts |
Wagner - Tristan und Islolde (Reiner 1936 live/Flagstad, Melchior, Kalter, List) |
LYS Naxos
Historical |
Wagner - Tristan und Isolde (Beecham 1937 live/Flagstad, Melchior, Klose, Nilsson) |
EMI |
Wagner - Tristan und Isolde (Act III, scene 1/2: Leinsdorf 1941/Melchior) |
Sony |
The Hugo Wolf Society 1931 - 1938 (Goethe-Lieder, Mörike-Lieder, Spanisches Liederbuch) |
EMI |
Four Famous German Baritones (Karl Hammes, Gerhard Hüsch, Hans Wocke) |
Preiser - LV |
Mike Richter’s Opera Page: The Record of Singing Vol. 4 |
CD-ROM |
Comment:
His voice carried a depth of feeling and it was of dramatic and individual character. He is
famous for his Wagner recordings and they belong to his greatest achievements.The most superb recording is his feverish Dutchman, sung with richness and warmth but in a unique style of a Lieder
singer (mezza voce!). His portrayal is conveyed by essentially musical means (in this he is quite an antipode to George London...). Janssen is unsurpassed as Wolfram and Kurwenal.
His lieder recordings are true treasures!
Ja, Wehe! Wehe! Weh über mich
(Amfortas in Parsifal / Wagner / 1937 live / Fritz Reiner)
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